• Ren Shulin’s ADVANCED INDIVIDUALS is now part of the Asia-Pacific Photobook Archive

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  • Chie Murakami’s ISLAND is now part of the Asia-Pacific Photobook Archive

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  • Reportage’s REPORTAGE: A RETROSPECTIVE 1999-2009 is now part of the Asia-Pacific Photobook Archive

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  • Nihal Fernando’s SRI LANKA: A PERSONAL ODYESSEY is now part of the Asia-Pacific Photobook Archive

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  • Doug Spowart’s HITTING THE SKIDS is now part of the Asia-Pacific Photobook Archive

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  • Anne Ferran’s PRISON LIBRARY is now part of the Asia-Pacific Photobook Archive

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  • Simon Aubor’s DOCUMENT A: HIDDEN is now part of the Asia-Pacific Photobook Archive

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  • Kris Vervaeke’s AD INFINITUM is now part of the Asia-Pacific Photobook Archive

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  • Jesse Marlow’s WOUNDED is now part of the Asia-Pacific Photobook Archive

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  • Michael Greenlar’s REMNANTS OF A SECRET WAR is now part of the Asia-Pacific Photobook Archive

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  • Bruno Quinquet’s SALARYMAN PROJECT BUSINESS SCHEDULE 2014 is now part of the Asia-Pacific Photobook Archive

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  • “I explore what happens in between history and memory, where fact and fiction becomes a muddled, ambiguous entity” – AN INTERVIEW WITH JACOB RAUPACH by Sarah Pannell (Coordinator, Asia-Pacific Photobook Archive)

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